Fatih Şahin Фатіх Шахін Ukraine, business and international experience — since 2004
Folklore & Esoterica

The Ukrainian ritual year, mapped

The Ukrainian calendar of observance is not a list of holidays. It is an agricultural year with a Christian layer laid over an older one, and once you see the structure the individual days stop looking arbitrary.

Church in Damien Koszyrski Kamen Kashirskiy circa WWI
Photo: Shaftesbury'sPipe · CC BY-SA 4.0

When I arrived I experienced the Ukrainian year as a series of unrelated occasions. It took me some time to see that it is a single structure, and that the structure is agricultural.

The winter block

From St Nicholas through Christmas, Malanka and Epiphany. This is the dead season: nothing grows, the work is indoors, and the rituals are about the household, the ancestors and securing the year to come. Carolling, the didukh sheaf brought inside, divination, masks. The agricultural year is being asked about rather than worked.

Spring

Butter week, the fast, then Easter. Renewal, eggs, the first green. The fast falls precisely when winter stores are exhausted and before anything new has grown, which is not a coincidence: the religious calendar codified a period when there was in any case very little to eat.

The green months

Green week, then Kupala at midsummer. Now the work is outdoors and the rituals move outdoors with it — greenery brought into the house, water, fire, wreaths on the river. Fertility and growth, at the moment when growth is actually happening.

Harvest and closing

Obzhynky, the last sheaf, the harvest home. The year is completed, the grain is in, and the final sheaf is kept to be brought back in at Christmas as the didukh. That circularity is the clearest evidence of the structure: the object that closes the agricultural year opens the winter one.

How to read the layers

The Christian calendar sits on top of something considerably older and did not replace it. It absorbed it, renamed some of it and left a good deal untouched. That is not a scandal and no one here treats it as one. A midsummer fire is a midsummer fire, whatever the day is called.

That the layers sit on top of each other and none erases the one below is the part I found most interesting. I see the same thing in working life — an old practice continues after its reason has been forgotten, and usually continues for a good reason. I do not have the knowledge to read the layers; but I can see that they are stacked.

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